Suspense

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By the time bohemian singer/poet/artist Lizzy Mercier Descloux recorded her fifth album, 1988’s Suspense, she’d enjoyed a recording career that was as far from the clichés of music lore as is possible, flitting between genres, continents and collaborators, enjoying great success and equally great failure and even stealing the final breaths of master trumpeter Chet Baker for 1986’s One For The Soul. When she came to make Suspense – reissued here as the final album in our series – she was, for the first time, working without her longtime muse, partner and manager Michel Esteban, with whom she’d first moved from their native France to New York, where it all began.

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